The list of features, sepratated into new features over OP-X PRO, and general
features of the synth to be able to compare it to other synths. Note that OP-X PRO-II
includes every single feature of all the lower OP series synths.
New features:
- doubled polyphony, switchable between 6, 8 and 12 voices
- voice mute section deactivates voices for custom polyphony info
- included patch browser with central saving location
- patch change smoothing using MIDI or incr/decr. buttons info
- a new extended library offering 1'500 (!) sounds
- can load all former OP-X PRO patches
- 128 instead of 64 patches per bank
- a built in effects unit offering delay and reverb
- dual engine option for effects finishing after preset change info
- a bunch of handy one-click effect presets
- delay syncable to host or arpeggiator (even / triple / dotted)
- a completely new arpeggiator/midi processor offering 32 modes info
- arpeggio hold/release switchable by damper-pedal info
- chord hold function and preset chords
- a switchable double mode for fat sounds info
- a simple 8 step note recorder
- 32 different pitchwheel/modwheel interval and function presets info
- MIDI learn supporting CC remote program change info
- blockable CC input/output
- switchable relative or fetched CC response info
- two new switchable bright modes info
- switchable filter self oscillation info
- new LFO waveforms sawtooth and triangle
- very slow LFO speed possible for triangle modulation
- LFO S/H switchable to sampled vibrato (using wheel LFO) info
- switchable LFO manual triggering with free phase adjust info
- switchable LFO delay with adjustable delay and rise time info
- switchable linear attack for amp envelope
- filter envelope invertable info
- optional seamless level control of noise and oscillators info
- optional seamless amount control of the tuning buttons
- quick one-click trimpot calibration for tuning trimpots info
- one-click filter trimpots zeroing for pure lowpass mode
- one-click center reset for master tune
- one-click zeroing for OM and PM knobs
- one-click panpot center reset for pure mono
- several one-click panpot setting presets
- common mono-to-stereo blending of the pans
- pan-modulation source switchable to wheel LFO info
- switchable triangle waves for oscillators info
- pitch adjust range of oscillator 1 enhanced to 5 octaves
- user manual featuring a GUI picture index
If you are new in the world of OP-X PRO you might have a look at the general
features list to be able to find out if the features you're looking for are there:
General features:
- 2 oscillators featuring sawtooth, variable pulse, sine and triangle wave
- cross modulation, hard sync, ring modulation and sine fm
- quantized or seamless oscillator pitch adjust
- stacked unison mode (using 1-6 voices) with adjustable voice spread
- switchable legato mode (non-retrigger, last note priority)
- polyphonic portamento featuring portamento detuning
- 12 voices in separate voice design (SVD)
- polyphony globally switchable between 6/8/12
- voice deactivation option for custom polyphony settings (1, 2, 3, etc.)
- multimode filter (lopass 12/24db, hipass, bandpass, notch)
- seamlessly blendable filter modes (hipass->bandpass->notch)
- parallel dual filter design (lopass-multimode) featuring variable mix
- parallel filter mix modulatable by LFO and filter envelope
- SEM characteristic not loosing gain at high resonance settings
- switchable filter self oscillation
- variable key tracking (0-100%)
- filter envelope amount controllable by velocity
- ADSR filter envelope, invertable
- ADSR amp envelope, attack switchable to linear
- LFO featuring sine, square, triangle, sawtooth, sample&hold, sampled vibrato
- delay and manual trigger option for LFO
- LFO modulation streams invertable in two groups
- and additional modulation wheel LFO (sine only)
- filter envelope modulation to oscillator pitch and pulse width
- amp envelope modulation to ring modulation
- 32 different pitch/modulation wheel interval and function presets
- pitch wheel optionally routable only to oscillator 1
- switchable velocity to filter envelope amount
- arpeggiator featuring 32 modes, input or pitch order, random, 1-4 octaves
- arpeggio hold/release switchable by damper-pedal
- chord hold function
- 16 built in preset chords
- a switchable double mode for fat sounds
- a simple 8-step note recorder
- arpeggiator and LFO synchronizable to song tempo (even or triolic)
- built in effects unit offering reverb and delay
- switchable dual engine effects mode to keep effects finishing on preset change
- delay syncable to arpeggiator or host (even/triolic/dotted)
- effects unit switchable off with one button
- MIDI controller learn
- MIDI CC remote program change (Mac and 64bit version only)
- CC response switchable to relative or fetched to avoid value jumps
- Separate Voice Design (SVD) with an independent mono synth for each voice
- each voice has slightly deviating sound by default like in real analog synths
- rotating voice allocation for never repeating tone color
- voices globally tunable separatly for oscillators, filters, envelopes and portamento
- voice-based tuning trimpots for custom fine tunings of parameter groups
- voice individually deactivatable to have any voice of choice involved
- individual pan-pots for each voice channel allowing to place a voice in the stereo field
- pan-pots modulatable by LFO (main LFO or wheel LFO)
- built in sound library featuring 1'500 sounds in 32 banks
- sound library categorized (solos, strings, brass, bass, etc.)
- sound library featuring many famous 80ies sounds
- sound library featuring synth emulating banks (Jupiter-8, Prophet-5, Minimoog, etc.)
For more details have a look at the comprehensive pdf manual: