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Featurelist

The list of features, sepratated into new features over OP-X PRO, and general features of the synth to be able to compare it to other synths. Note that OP-X PRO-II includes every single feature of all the lower OP series synths.

New features:

- doubled polyphony, switchable between 6, 8 and 12 voices

- voice mute section deactivates voices for custom polyphony   info

- included patch browser with central saving location

- patch change smoothing using MIDI or incr/decr. buttons   info

- a new extended library offering 1'500 (!) sounds

- can load all former OP-X PRO patches

- 128 instead of 64 patches per bank

- a built in effects unit offering delay and reverb

- dual engine option for effects finishing after preset change   info

- a bunch of handy one-click effect presets

- delay syncable to host or arpeggiator (even / triple / dotted)

- a completely new arpeggiator/midi processor offering 32 modes   info

- arpeggio hold/release switchable by damper-pedal   info

- chord hold function and preset chords

- a switchable double mode for fat sounds   info

- a simple 8 step note recorder

- 32 different pitchwheel/modwheel interval and function presets   info

- MIDI learn supporting CC remote program change   info

- blockable CC input/output

- switchable relative or fetched CC response   info

- two new switchable bright modes   info

- switchable filter self oscillation   info

- new LFO waveforms sawtooth and triangle

- very slow LFO speed possible for triangle modulation

- LFO S/H switchable to sampled vibrato (using wheel LFO)   info

- switchable LFO manual triggering with free phase adjust   info

- switchable LFO delay with adjustable delay and rise time   info

- switchable linear attack for amp envelope

- filter envelope invertable   info

- optional seamless level control of noise and oscillators   info

- optional seamless amount control of the tuning buttons

- quick one-click trimpot calibration for tuning trimpots   info

- one-click filter trimpots zeroing for pure lowpass mode

- one-click center reset for master tune

- one-click zeroing for OM and PM knobs

- one-click panpot center reset for pure mono

- several one-click panpot setting presets

- common mono-to-stereo blending of the pans

- pan-modulation source switchable to wheel LFO   info

- switchable triangle waves for oscillators   info

- pitch adjust range of oscillator 1 enhanced to 5 octaves

- user manual featuring a GUI picture index

If you are new in the world of OP-X PRO you might have a look at the general features list to be able to find out if the features you're looking for are there:

General features:

- 2 oscillators featuring sawtooth, variable pulse, sine and triangle wave

- cross modulation, hard sync, ring modulation and sine fm

- quantized or seamless oscillator pitch adjust

- stacked unison mode (using 1-6 voices) with adjustable voice spread

- switchable legato mode (non-retrigger, last note priority)

- polyphonic portamento featuring portamento detuning

- 12 voices in separate voice design (SVD)

- polyphony globally switchable between 6/8/12

- voice deactivation option for custom polyphony settings (1, 2, 3, etc.)

- multimode filter (lopass 12/24db, hipass, bandpass, notch)

- seamlessly blendable filter modes (hipass->bandpass->notch)

- parallel dual filter design (lopass-multimode) featuring variable mix

- parallel filter mix modulatable by LFO and filter envelope

- SEM characteristic not loosing gain at high resonance settings

- switchable filter self oscillation

- variable key tracking (0-100%)

- filter envelope amount controllable by velocity

- ADSR filter envelope, invertable

- ADSR amp envelope, attack switchable to linear

- LFO featuring sine, square, triangle, sawtooth, sample&hold, sampled vibrato

- delay and manual trigger option for LFO

- LFO modulation streams invertable in two groups

- and additional modulation wheel LFO (sine only)

- filter envelope modulation to oscillator pitch and pulse width

- amp envelope modulation to ring modulation

- 32 different pitch/modulation wheel interval and function presets

- pitch wheel optionally routable only to oscillator 1

- switchable velocity to filter envelope amount

- arpeggiator featuring 32 modes, input or pitch order, random, 1-4 octaves

- arpeggio hold/release switchable by damper-pedal

- chord hold function

- 16 built in preset chords

- a switchable double mode for fat sounds

- a simple 8-step note recorder

- arpeggiator and LFO synchronizable to song tempo (even or triolic)

- built in effects unit offering reverb and delay

- switchable dual engine effects mode to keep effects finishing on preset change

- delay syncable to arpeggiator or host (even/triolic/dotted)

- effects unit switchable off with one button

- MIDI controller learn

- MIDI CC remote program change (Mac and 64bit version only)

- CC response switchable to relative or fetched to avoid value jumps

- Separate Voice Design (SVD) with an independent mono synth for each voice

- each voice has slightly deviating sound by default like in real analog synths

- rotating voice allocation for never repeating tone color

- voices globally tunable separatly for oscillators, filters, envelopes and portamento

- voice-based tuning trimpots for custom fine tunings of parameter groups

- voice individually deactivatable to have any voice of choice involved

- individual pan-pots for each voice channel allowing to place a voice in the stereo field

- pan-pots modulatable by LFO (main LFO or wheel LFO)

- built in sound library featuring 1'500 sounds in 32 banks

- sound library categorized (solos, strings, brass, bass, etc.)

- sound library featuring many famous 80ies sounds

- sound library featuring synth emulating banks (Jupiter-8, Prophet-5, Minimoog, etc.)

For more details have a look at the comprehensive pdf manual: